ballet
7 July
21:00
18+
Romeo and Juliet
18+
7 July
21:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

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8 July
07:00
18+
Romeo and Juliet
18+
8 July
07:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

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8 July
10:00
18+
Romeo and Juliet
18+
8 July
10:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

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8 July
11:00
18+
Romeo and Juliet
18+
8 July
11:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

BUY TICKETS
8 July
13:00
18+
Romeo and Juliet
18+
8 July
13:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

BUY TICKETS
8 July
16:00
18+
Romeo and Juliet
18+
8 July
16:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

BUY TICKETS
8 July
18:00
18+
Romeo and Juliet
18+
8 July
18:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

BUY TICKETS
8 July
21:00
18+
Romeo and Juliet
18+
8 July
21:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

BUY TICKETS
9 July
07:00
18+
Romeo and Juliet
18+
9 July
07:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

BUY TICKETS
9 July
10:00
18+
Romeo and Juliet
18+
9 July
10:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

BUY TICKETS
9 July
11:00
18+
Romeo and Juliet
18+
9 July
11:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

BUY TICKETS
9 July
13:00
18+
Romeo and Juliet
18+
9 July
13:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

BUY TICKETS
9 July
16:00
18+
Romeo and Juliet
18+
9 July
16:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

BUY TICKETS
9 July
18:00
18+
Romeo and Juliet
18+
9 July
18:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

BUY TICKETS
9 July
21:00
18+
Romeo and Juliet
18+
9 July
21:00

The ballet "Romeo and Juliet" might not have been. In 1934 Prokofiev discussed the possibility of staging "The Gambler" and "The Fiery Angel" in Leningrad. Then Adrian Piotrovsky (director of Lenfilm and consultant to GATOBA) put forward the idea of a new opera and, among other subjects, proposed Shakespeares tragedy. The idea of "Romeo" as a ballet finally took shape by May 1935.
The second godfather of this performance was Sergey Radlov. Co–author of the script, he proposed radical alterations of Shakespeare, the most fantastic of them is a happy ending.

BUY TICKETS